The Healing Frequency, and the Frequency of Disharmony

The Healing Frequency, and the Frequency of Disharmony

By Hwaa Irfan

We are told that most music worldwide has been tuned to a frequency of 440 hertz since the International Standards Organization (ISO) endorsed it in 1953. One is not quite sure how that standard is applied given the creative process of any musician. This is not the same as the underlying universal property discovered by Dr. Aline Honingh and Prof. Rens Bod from the ILLC, University of Amsterdam. After exploring 1,000 scales from all over the world as multidimensional objects, they found that all traditional scales produced star-convex patterns, and 97% of non-traditional, scales conceived by contemporary musicians who believe they are inventing new musical scales.

And for sound God made manifest our physical world. Cymatics, the science of sound as it pertains to A=432 is described by CymaScope as:

32Hertz is a harmonic of light frequency it ‘speaks’ or ‘resonates’ directly with our cells. All cells communicate with each other via infrared light so I imagine that when they receive music in 432 Hertz they are in joy. The conscious you may not be aware of this, but most of what goes on in our bodies is sub conscious, thankfully!

So the Divine standard was set long before (ISO) following research (bioenergetic research in acoustic science), experiments and field trips (war) funded by Rothschild-Rockefeller .

While ISO  set the international concert pitch to  440 hertz, it has been found that there is one more consistent with our universe, which we are  part of known as Verdi’s ‘A’ or A=432 hertz, because Mozart and Verdi based their music on natural vibration, but A=432 was nicknamed the ‘Verdi tuning,’ but is as known as the Pythagorean Tuning in A Major. Artists like Bob Marley and Jimi Hendrix originally recorded their songs in 432 Hz.

Mathematically more consistent with our universe, 432 hertz has been found to transmit beneficial healing vibration, because it has a pure tone that resonates with nature. As music was originally inspired for religious purposes the A=432Hz tuning can be found in the Hindu mantra, the Jewish cantor, a Christian hymn, or the call of a Moslem muezzin – Archaic Egyptian instruments that have been unearthed, so far, are largely tuned to A=432Hz.

Dr. Leonard Horowitz who wrote ‘Musical Cult Control’ found the ISO standard of 440 hertz as:

The music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness.”

440 hertz stimulates the brain into disharmonious resonance, which ultimately creates disease and war, hence we seem unable to solve any of the massive crises personal and societal  problems we are confronted with today. Freedom gone haywire!

An initial attempt was made to introduce electronic sound for stage, screen, and television in 1910 with a Rockefeller grant to the American Federation of Musicians at A=440Hz, but it was righty s considered less peasant. Finally it was adopted by the British Standards Institute (BSI) in 1939 using a lot of propaganda at a time when England was about to declare war with Germany. In 1950 the American government, made it an ISO standard that all musical equipment, music on TV and Radio broadcasts will be at 440 Hz.

In musicology the interval between A=440Hz and A=444Hz is known as the ‘Devil’s Interval’ because it is extremely disharmonious when these two notes are played simultaneously.

So when we are listening to any broadcast it is at tuned at A = 440 hz, C = 261.63 hz and why mass media as a great effect on the listener by stimulating the ego, left-brain function, suppressing the ‘heart-mind,’ intuition and creative inspiration.

The B.B.C. tuning-note is derived from an oscillator controlled by a piezo-electric crystal that vibrates with a frequency of one million Hz. This is reduced to a frequency of 1,000 Hz by electronic dividers; it is then multiplied eleven times and divided by twenty-five, so producing the required frequency of 440Hz. As 439 Hz is a prime number a frequency of 439 Hz could not be broadcast by such means as this – Arthur Mendel in Studies in the History of Music

Related Topics:

Aline Honingh and Rens Bod. In search of universal properties of musical scales. Journal of New Music Research, March 2011

432Hz, Coming Back to Nature fractalenlightenment.com/13839/spirituality/432hz-coming-back-to-nature

Horowitz, L. Musical Cult Control: The Rockefeller Foundation’s War on Consciousness Through the Imposition of A=440hz Standard Tuning http://www.medicalveritas.org/MedicalVeritas/Musical_Cult_Control.html

Sources*

The Healing Sounds of Life

Turkey: Music Therapy in Modern Healthcare

The Underground Economy: Using the Gift of Music

Delivering Music Therapeutics to the Homeless

9 thoughts on “The Healing Frequency, and the Frequency of Disharmony

  1. Anyone can do research on the dangers of electro-magnetic pollution, but for you, I offer a short poem which I hope will suffice as a write-up:

    Wasn’t it Bob who said “you go your way and I’ll go mine”?
    But much has changed since Bob’s time.
    Now, we’re all puppets on a theoretical string
    Programmed, yes programmed to all do the same thing

    No free-thought allowed.
    Those who resist will be put in line by the thought police;
    The guardians of the established order. The enforcers.
    The bullies of space and time.

    I for one will not do as I’m told by corporate shills
    Telling me to wear boots when sandals are just fine
    And this also applies to the digital revolution : the chip monks
    “I am not a number. I am a free man!”
    I value my health.

  2. Given the technological mindset of our world, almost everything is now in the digital realm. It’s not so much the frequency of 440 Hertz that renders music sterile, it’s the medium by which it is conveyed to the general public. Analog sound was considered state-of-the-art back in the day and people listened to records and tapes which somehow managed to convey the ‘feeling’ of the musicians. Today’s MP3’s and assorted digital formats fail to do that and more often than not, the end-result is cold and clinical (much like our leaders!).

    • Thanks for your contribution…real art has its own heart regardless of what they try to do through broadcasting. But you raised a question Joe, how much is our consumerism of digital technology is buying into their agenda?

      • If nature played an important part in our present lives, its sound alone would heal everything, but we are leaving nature out of the picture. The continual transmission of digital frequencies in all domains is killing off the trees, the birds … and us. Isn’t that what the ‘controllers’ want? It sure looks that way!

        • The trouble is not what they want, but what we believe … Could you explain more about “continual transmission of digital frequencies in all domains is killing off the trees, the birds … and us.”

          • The main culprits are cell-phone transmissions via cell towers and masts with over 3 billion cell phones in operation daily, and wireless technology (ex. WiFi). In the USA, there are hundreds of thousands of cell-phone towers sending out electromagnetic radiation (microwaves) everywhere. Please check out this long, but very good article written by Arthur Firstenberg on electro-magnetic fields:: http://www.whale.to/b/elf6.html

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