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2,000yr. old Bible Confirms Jesus was Not Crucified*

2,000yr. old Bible Confirms Jesus was Not Crucified*

By Sean Adl-Tabatabai

The Vatican have confirmed that a newly discovered 2,000 year old Bible found in Turkey says that Jesus Christ was not crucified as is commonly believed. 

The Bible, which is now being kept in the Ethnography Museum of Ankara, contains the Gospel of Barnabas – one of the forgotten disciples of Christ. The Gospel says the Jesus was not crucified, nor was he the literal son of God – but was actually a Prophet.

Natives-today.com reports: The book also calls Apostle Paul “The Impostor”.  The book also claims that Jesus ascended to heaven alive, and that Judas Iscariot was crucified in his place.

A report by The National Turk says that the Bible was seized from a gang of smugglers in a Mediterranean-area operation. The report states the gang was charged with smuggling antiquities, illegal excavations, and the possession of explosives.  The books itself is valued as high as 40 Million Turkish Liras (approx. 28 mil. Dollars).  Man, where is the Thieves Guild, when you need them?

Authenticity

According to reports, experts and religious authorities in Tehram insist that the book is original.  The book itself is written with gold lettering, onto loosely-tied leather in Aramaic, the language of Jesus Christ.  The text maintains a vision similar to Islam, contradicting the New Testament’s teachings of Christianity.   Jesus also foresees the coming of the Prophet Muhammad, who would found Islam 700 years later.

It is believed that, during the Council of Nicea, the Catholic Church hand-picked the gospels that form the Bible as we know it today; omitting the Gospel of Barnabas (among many others) in favor of the four canonical gospels of Matthew, Mark, Luke and John.  Many biblical texts have begun to surface over time, including those of the Dead Sea and Gnostic Gospels; but this book especially, seems to worry the Vatican.

The Catholic Church wants in

What does this mean to Christian-derived religions and their followers?  Quite a tight spot.  The Vatican has asked Turkish authorities to let them examine the contents of the book within the Church.  Now that the book has been found, will they come to accept its evidence?  Will they deny it altogether?  Call it a “Muslim lie”, as did the “Truth” Magazine, in 2000?  To many, this book is a beacon of hope, that believers soon realize that the object of their adoration is arbitrary; and that all text, especially religious text, is subject to interpretation.

What does this mean to atheists/agnostics/secular thinkers?  Not much… Is the text real?  Fake?  Does it matter?  Not really… But hopefully, this news inspires the religious to ask questions, instead of pointing fingers or believing anything blindly.  Please, don’t go poking fun or tossing around the “I told you so!”s.  The biggest danger of faith is when people believe what they want to believe, defending against any and all evidence; especially when that evidence revolutionizes their foundation from the ground up.  And the biggest culprit to that danger is the ego trap: rejecting/criticizing others, for being unlike you.

For centuries, the “defense” of blind faith has driven nations to war, violence, discrimination, slavery and to become the society of automatons that we are today; and for just as long, it has been justified with lies.  If you know better, act like it.

Source*

Related Topics:

The 1,500 year-old Bible that Foretold the Coming of Prophet Muhammed (saw)*

The Oldest Bible to Date Confirms the Qur’an

Hebrew Bibles from Syria Taken by MOSSAD*

Why is the Book of Enoch Banned from the Bible?

Why Did the Vatican Remove 14 Books from the Bible in 1684?*

When the Bible mentioned ‘Israel’ it did not mean Judea*

Uganda Bans Dutch film for ‘glorifying homosexuality’*

Uganda Bans Dutch film for ‘glorifying homosexuality’*

The Dinner Club, a Dutch film made in 2010, is barred in Uganda the whole film revolves around the idea of cheating spouses

 

The Ugandan movie rating council denied classification to a homosexual film in a move that effectively bans the motion picture from being shown in the country.

The Uganda Media Council explained that the Dutch movie, The Dinner Club, “depicts and glorifies homosexuality” in addition to voicing other objections. Sodomy is illegal in Uganda.

The 2010 pro-gay movie was selected to be the Dutch entrance in Uganda’s third annual Euro-Uganda Film Festival but was cancelled after the Council’s decision. The Dutch Embassy in Uganda responded by pulling out of the movie festival altogether.

Bucking a global trend to normalize homosexuality, Uganda is banning the motion picture on moral grounds. The media council noted extensive moral objections to the movie, summarizing, “The film depicts and glorifies homosexuality, which is a criminal offense in Uganda.”

The media watchdog listed four scenes in the movie where homosexuality is positively shown and quoted from a scene in which normal, traditional, heterosexual marriage is disparaged, concluding, “This is against Ugandan values.”

It also listed various crimes depicted in the movie such as arson and violence against a hospital patient that “are not resolved and/or culprits apprehended.”

“The film is replete with various scenes of imitable behavior,” the media council continued, listing sexualized “deep kissing” in front of children, gulping alcohol (“almost throughout the movie”), smoking, nudity, and several steamy scenes of “sexual activity.”

“The whole film revolves around the idea of cheating spouses,” the movie ratings council wrote in its decision. The plot line, according to the council, is that “women form a ‘Dinner Club,’ which is in reality a sort of brothel.”

Further moral objections included “various scenes with lurid language,” including “the a-word, d-word and h-word” as well as “S and F words used a few times each and ‘bastard’ used several times.”

Homosexual activists objected to the decision. “The Ugandan Constitution guarantees the right to freedom of speech and expression under Article 29, and this decision denies that right,” complained Henry Maina, regional director for ARTICLE 19 Eastern Africa.

“This is not only a significant blow to artistic expression in Uganda but a worrying example of discrimination against LGBT expression.”

The ARTICLE 19 group demands that The Dinner Club be shown in the name of “artistic expression.”

The Dutch Embassy in Uganda posted on Facebook its disappointment with the Ugandan media council’s decision. Comments to the post from individuals were both supportive and critical.

One supporter of morality commented, “People from the West should know that Uganda has a culture and it’s very right to prohibit what they see as evil or will torment our culture.”

The Ugandan government has taken steps since its AIDS epidemic in the 1980s and early 1990s to bring back traditional values that they associate with health and societal good.  Public health messages funded by the government promoted abstinence before marriage, fidelity in marriage, and the use of condoms “as a last resort.”

Abstinence is emphasized over condoms. Ugandan President Yoweri Museveni explained that condoms “cannot become the main means of stemming the tide of AIDS.” Rather, condoms were only in the event that a man “cannot manage” to control himself, “as a fallback position, as a means of last resort.”

Before the AIDS epidemic, the practice of “concurrency” was common in Ugandan culture, where men would have more than one sex partner at a time, whether heterosexual or homosexual. Posters, newspaper ads, billboards, and radio and television campaigns delivered “Zero-Grazing” and “Love Carefully” messages to those men throughout the 1990s.

Community and religious leaders worked hand-in-hand with the government to encourage sexual morals among the populace. Schools taught abstinence before marriage, and fidelity in marriage.

In 1991, 15% of the population was infected with HIV. By 2007, that number had been cut by nearly two-thirds to six percent.

Homosexual activists in the West criticized Museveni’s morals campaign as unconstitutional throughout the 1990s and first decade of the new millennium.

More recent moral campaigns funded by the government include laws designed to curb alcohol abuse and discourage public smoking.

Source*

Related Topics:

Obama Spent $700 Million Promoting Homosexuality Overseas*

Rape, Jews, and Bollywood*

Surprise – STD Rates among U.S. Homosexuals ‘alarming,’*

U.N. – NWO’s Ordered Allow Homosexuality and Abortion or Forget Aid*

Canada: The Effect of Homosexual Parenting on One Child*

Gays Who Reject the Illuminati Agenda*

Sex Education, the Key to Social Engineering*

Pornography and the Social Engineering of Human Sexuality*

British PM Theresa May Says Paedophiles Should Be Allowed To Adopt Children Too*

A Powerfull Message on the Fall of Humanity from Keanu Reaves*

 

U.K. Arms Firm Sold Spyware to Repressive Middle East States*

U.K. Arms Firm Sold Spyware to Repressive Middle East States*

BAE Systems distributed the software which allowed governments to trace the activities, locations and traffic of pro-democracy activists

A BAE Systems booth at a trade show for naval and maritime safety in France (AFP)

 

A leading British arms company has been selling spy software across the Middle East, potentially risking the security of activists and dissident groups.

The findings come after a year-long investigation by BBC Arabic and a Danish newspaper, which revealed that BAE Systems had been selling a mass surveillance software called Evident, acquired after the purchase of Danish company ETI in 2011, to governments in the Middle East, including those involved in crackdowns on pro-democracy activists.

“You’d be able to intercept any internet traffic,” said a former ETI employee speaking anonymously to the BBC.

“If you wanted to do a whole country, you could. You could pin-point people’s location based on cellular data. You could follow people around. They were quite far ahead with voice recognition. They were capable of decrypting stuff as well.”

Among the clients for the software was the government of the former Tunisian president, Zine El Abidine Ben Ali, who used it on opponents before being overthrown in the 2011 Arab Spring demonstrations.

“ETI installed it and engineers came for training sessions,” explained a former Tunisian intelligence official, speaking to the BBC.

“[It] works with keywords. You put in an opponent’s name and you will see all the sites, blogs, social networks related to that user.”

According to Freedom of Information requests made by the BBC and the Dagbladet Information newspaper in Denmark, other clients included Saudi Arabia, the UAE, Qatar, Oman, Morocco and Algeria.

The rise in surveillance technology in the Middle East is thought to have had a serious impact on the activities of pro-democracy campaigners in the region since the beginning of anti-government protests in 2011.

Yahya Assiri, a former Saudi air force officer who fled the country following the posting of pro-democracy comments on social media, told the BBC he “wouldn’t be exaggerating if I said more than 90% of the most active campaigners in 2011 have now vanished.”

Marietje Schaake, a Dutch member of the European Parliament, described the sale of the technology as “unacceptable”.

“Each and every case where someone is silenced or ends up in prison with the help of E.U.-made technologies I think is unacceptable,” she told the BBC.

“The fact that these companies are commercial players, developing these highly sophisticated technologies… requires us to look again at what kind of restrictions maybe be needed, what kind of transparency and accountability is needed in this market before it turns against our own interest and our own principles.”

The U.K. government has, however, been keen to support BAE Systems, a major employer, with regards to its activities in the Middle East.

In particular, Saudi Arabia is a vital market for the company, which employs more than 80,000 staff worldwide and accounts for one percent of U.K. exports, according to the company.

The U.K. government has approved more than $4.2bn of arms to Saudi since the start of the conflict in Yemen 2015, and last month The Times reported that the British government threw its weight behind the company to secure a long-awaited Typhoon jet contract with Saudi Arabia for 48 new aircrafts.

Olly Sprague, Amnesty U.K.’s programme director for military, security and police, told MEE that BAE is hiding behind the U.K.’s “warped rules on arms exports”.

“BAE Systems acknowledge they have more than 6,000 people working in Saudi Arabia helping to strengthen the country’s arms capability – so it is outrageous that they continue to hide behind the UK Government’s warped ‘rules’ on arms exports as a justification for their work,” he said.

The U.K. Department for International Trade issued the following statement:

“The government takes its defence export responsibilities very seriously and operates one of the most robust export control regimes in the world.

“All export licence applications are assessed on a case-by-case basis against strict criteria, taking account of all relevant factors at the time of the application, including human rights considerations.”

Source*

Related Topics:

U.K. Base Used by U.S. to Kill Thousands in the Middle East*

Sorry European racial “purists,” it turns out your ancestors were African and Middle Eastern*

Former U.K. Ambassador Refers to the West Returning to their Own Vomit

How America Betrayed its Sunni Allies in Middle East?

Adobe Acrobat Reader DC Security Update Installs Chrome Spyware*

Microsoft Shifts Spyware Windows 10 to ‘Recommended’ Update, Automatic Download*

U.S. Computer Makers Lose Markets Courtesy of NSA Spyware*

Judy Malware Infects Over 30 Million Android Users Worldwide*

Leaked NSA Malware Threatens Windows Users Around the World*

Apple Records Your Messages from iMessage and Sends the Data to Police*

 

First Recorded Song about Racism is Absolutely Bone Chilling*

First Recorded Song about Racism is Absolutely Bone Chilling*

By Dylan Charles

With such a great deal of concern over racism, hate and division these days, it seems that the human race is so terribly fractured that it will take a miracle of sorts to unite us before we kill each other off entirely. We are in need of healing, and music is the one force of nature that has the power to inspire the awakening of humanity within even the most callous of souls.

Even the saddest of songs can make a painful truth universally bearable, and in America’s dark history of slavery, segregation and injustice, one remarkable composition has achieved just that. Strange Fruit, as performed by renowned jazz musician Billie Holliday was America’s first recorded song about racism, and is a haunting reminder of why we still struggle to understand our relationship with one another in this melting pot.

“Billie Holiday’s ‘strange fruit’ is part of the jazz singers lexicon for good reason. I’ve sung it in nightclubs and, ironically at fancy brunches in 5-star hotels where African Americans used to have to enter through the back door. People respond to its weight, its sadness. It touches them even when they don’t know what the song is about. The lyrics – ‘strange fruit hanging from the poplar trees’ and ‘bloody roots and bloody leaves’ are hard to ignore.

If Rosa Parks helped to unsettle the apple cart that day on the bus, Billie Holiday’s rendition of this song reminds us Southerners just how crooked our past was every time we hear it. In my opinion nothing keeps us accountable like music. It’s emotions don’t lie.” ~Christina Sarich

Billie Holiday was considered by many to be the finest female jazz vocalist ever to live, although she died of the spiritual disease alcoholism in 1959. She carried herself with a moving, lonely, solemnity, clearing bearing the weight of tremendous suffering.

Revered as one of songs that actually did change history, Strange Fruit was one of Ms. Holiday’s most famous recordings, directly addressing the horrors of racism, and still stands as one of the most harrowing and painful musical journeys ever published.

Recorded in 1939 for Commodore Records and eventually selling over a million copies, it was actually written by a Jewish white man from the Bronx named Abel Meeropol who wrote a poem after being inspired by one of the most iconic and gruesome photographs ever taken of the human rights struggle for blacks in America, the lynching of Thomas Shipp and Abram Smith.

“Eighty years ago, two young African-American men, Thomas Shipp and Abram Smith, were lynched in the town center of Marion, Ind. The night before, on Aug. 6, 1930, they had been arrested and charged with the armed robbery and murder of a white factory worker, Claude Deeter, and the rape of his companion, Mary Ball.

That evening, local police were unable to stop a mob of thousands from breaking into the jail with sledgehammers and crowbars to pull the young men out of their cells and lynch them.

News of the lynching spread across the world. Local photographer Lawrence Beitler took what would become the most iconic photograph of lynching in America. The photograph shows two bodies hanging from a tree surrounded by a crowd of ordinary citizens, including women and children. Thousands of copies were made and sold. The photograph helped inspire the poem and song “Strange Fruit” written by Abel Meeropol — and performed around the world by Billie Holiday.” [Source]

The first time Ms. Holliday sang the song it was clear that it would become an American icon.

“The night that she first sang ‘Strange Fruit’ [at Cafe Society in New York] ‘there wasn’t even a patter of applause when I finished,’ she later wrote in her autobiography. ‘Then a lone person began to clap nervously. Then, suddenly, everybody was clapping.’ The applause grew louder and a bit less tentative as ‘Strange Fruit’ became a nightly ritual for Holiday, then one of her most successful records, then one of her signature songs, at least in those places where it was safe to perform.” ~David Margolick, Strange Fruit: The Biography of a Song

It’s the kind of song that inspires people to write whole books, as David Margolick did in Strange Fruit: The Biography of a Songwhere he tells the story of how this one song so deeply affected an entire nation, even stirring some to commit violence.

Regarding the cultural atmosphere of the times Margolick notes:

“Lynchings — during which blacks were murdered with unspeakable brutality, often in a carnival-like atmosphere, and then, with the acquiescence if not the complicity of local authorities, hung from trees for all to see — were rampant in the South following the Civil War and for many years thereafter. According to figures kept by the Tuskegee Institute — conservative figures — between 1889 and 1940, 3,833 people were lynched; ninety percent of them were murdered in the South, and four-fifths of them were black.

Lynchings tended to occur in poor, small towns — often taking the place the famed newspaper columnist H.L. Mencken once said, ‘of the merry-go-round, the theater, the symphony orchestra.’ … And they were meted out for a host of alleged offenses — not just for murder, theft and rape, but for insulting a white person, boasting, swearing or buying a car. In some instances, it was no infraction at all; it was just time to remind ‘uppity’ blacks to stay in their place. …” ~David Margolick, Strange Fruit: The Biography of a Song

The national atmosphere was so charged with violence at the time, but Strange Fruit today offers a historical compass for our current times as it serves as an agonizing reminder that things could definitely be worse than they are today.

 

Lyrics to Strange Fruit

 Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black body swinging in the Southern breeze
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant South
The bulging eyes and the twisted mouth
Scent of magnolia, sweet and fresh
And the sudden smell of burning flesh!

Here is a fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for a tree to drop
Here is a strange and bitter crop.

Final Thoughts

My hunch is that more compassion is needed from all sides as the human race moves into an evermore integrated and compassionate future, and music is the one force of nature that has the inexplicable power to inspire the awakening of humanity within even the most callous of souls. The voice of Billie Holliday is truly one of the greatest treasures ever gifted to human ears, as haunting as it is.

Source*

Related Topics:

‘No to racism’: Around 30K in London March against Discrimination*

Trump Blocked From Addressing U.K. Parliament for ‘Racism and Sexism’*

Filmmaker Ken Burns Delivers a Brilliant Explanation about Why Racism Dominates U.S. History*

A Giant on the Topic of Black Identity and Racism Dies at 80*

Black-Palestinian Alliance Emerges to Confront Global Violence and Racism*

My Journey from Racism*

The Black Madonnas of Europe: Between Racism and Hidden Adoration*

The Innate Racism of Israel: Ashkenazi Jews Exterminating Arab Jews*

“THAT Would be Reverse Racism”

Dr. Frances Cress Welsing: 12 Years a Slave, Racism & Black Cowardice

Manchester Terror Attack: Rallying the Youth Around the Occult Elite*

Manchester Terror Attack: Rallying the Youth Around the Occult Elite*

The Manchester Terror Attack took place at a concert for Ariana Grande – a music industry superstar. It was a grand and horrifying clash of the worlds of entertainment and high-stakes terrorism.

The Manchester terror attack was sickening for several reasons. Its aftermath was also sickening, for a slew of other reasons. It was about forcing horror on children, killing dozens of them and shattering whatever wonder and innocence that was left in the survivors. It was about mixing the worlds of song, dance, and entertainment with fear, death, and horror.

 

On May 22, 2017, a suicide bombing occurred in the U.K., immediately following a concert by Ariana Grande at Manchester Arena. Twenty-three adults and children were killed, and 119 were injured, 23 critically. ISIS claimed responsibility for the attack.

Before I go any further, it is necessary to explain the underlying nature of ISIS. Contrary to appearances, it is not an enemy of the world elite. In fact, the emergence of ISIS was “facilitated” by the powers that be.

In 2014, I published an article entitled ISIS: A CIA Creation to Justify War Abroad and Repression at Home; it is still relevant today. “ISIS” is continuously used to destabilize governments hostile to the elite, while facelessly causing fear, panic, and terror in major cities.

The elite agenda is rooted in fear, panic, and terror. Such emotion is a golden currency, an invaluable asset that can be used to shape and mold society with little to no resistance.

The number of terror attacks and deaths blamed on ISIS is staggering and is becoming, sadly, a “new normal”. Places of fun, leisure, tourism, and entertainment are being turned into sites of carnage. And, of course, after each event, no concrete plan or solution is ever proposed. It is almost as if they want modern society to accept the notion that it is “normal” for any person to be randomly killed at any time, for no particular reason.

Is there any mainstream discussion about the problems that are the root cause of ISIS and concrete ways to solve them? Rarely. However, a bunch of “satellite issues” are often brought up – ones that were clearly on the elite’s agenda for years, simply waiting for the next terror attack to bring them about.

Here’s what Theresa May had to say in the wake of the Manchester attack:

A headline from the Independent.

 

Apparently, terror needs to be contained through the regulation of the internet. May stated:

“We cannot allow this ideology the safe space it needs to breed – yet that is precisely what the internet, and the big companies that provide internet-based services provide,” Ms. May said.

“We need to work with allied democratic governments to reach international agreements to regulate cyberspace to prevent the spread of extremist and terrorism planning.”

The response to each terror attack is one more incremental step towards an all-out, highly monitored police state that represses all of its citizens. The only response to terror society is capable of, it would seem, restricting the basic rights of privacy, free speech, and democracy of ALL citizens. It is never about understanding the root of it all … because then things get real. And the elite don’t like when people get real. They want people to be afraid while listening to Ariana Grande.

Ariana Grande

The Manchester bombing took place in a setting with heavy symbolic value. It occurred during a show by an industry superstar who is particularly loved by children: Ariana Grande. And, in case you haven’t read other articles on this site, she is a tool of the elite – not unlike ISIS. However, Grande works in the elite’s “entertainment” department. Through the handful of media conglomerates who sign and promote a select group of stars, the elite uses this system to shape and mold the masses – especially the youngest and most impressionable – to adopt specific ideas, values, and attitudes.

Ariana Grande has been part of the system since she was a young teenager who played the role of “Cat Valentine” in the Nickelodeon show Victorious. This role led her “teen idol” status, a platform that was then used to launch her singing career.

Not unlike other teen idols, Grande’s solo career coincided with a drastic image change. She quickly became a figurehead of the “Sex Kitten” agenda used to expose children to sexual imagery at a young age.

Indeed, “Cat Valentine” from Victorious turned into a singing Beta Kitten.

Grande is often dressed innocently in accessories that could be used in the elite’s “Eyes Wide Shut” parties where Beta Kittens are involved.

Throughout her career, Grande has been told to flash the one-eye sign in photoshoots, confirming that she’s part of the elite’s system.

From Cat Valentine to Ariana Grande: All about the one-eye sign from early on.

 

In 2016, Grande released a new album and a new tour eerily called Dangerous Woman.

If one analyses the grand scheme of things, what happened in Manchester is deeply disturbing. Thousands of young people, hooked by the intense marketing machine behind Ariana Grande, were lured into a packed arena. A bomb then exploded, killing and injuring children, violently colliding the worlds of elite entertainment with elite terrorism, forcing an entire generation to face unspeakable evil and horror.

There is something disturbingly prophetic about this picture

 

If, in the past, the youngest members of Western society could avoid the constant flow of depressing, terror-related news by focusing on entertainment, that era is now clearly over.

In response to the attack, on June 4th, Ariana Grande headlined One Love Manchester, a benefit concert for the victims of the attack. The show also featured Miley Cyrus, Katy Perry and Justin Bieber. These artists each share at least two things in common. First, their target market is children and teens. Second, they’re all fully part of the occult elite industry and their entire catalogs are drenched in its symbolism. Everything about them refers to the dark side of mind control and cryptically refers to trauma, abuse, and occult rituals.

Not unlike Grande, Bieber, Cyrus and Perry are not strangers to the one-eye sign. On a deeper level, they’ve all fully embodied the roles of MK slaves at the mercy of the elite.

 

These were the stars chosen to “respond” to terror and to uplift the masses. On a wider scale, they represent the mainstream opposition to ISIS. If you don’t like ISIS and terror, you are told you need to embrace these pawns of the occult elite’s industry. They are the answer.

The logo of One Love Manchester features the MK bunny ears associated with Grande’s “Dangerous Woman” album.

 

Appropriately enough, the concert finished with Ariana Grande singing Somewhere Over the Rainbow – the classic 1939 song written for the movie The Wizard of Oz.

In the world of Monarch Programming, “over the rainbow” is a code of dissociation. The movie The Wizard of Oz has been used as an MK ULTRA programming script for decades and the song is used to induce dissociation. The fact that this song is used at the end of a concert for children headlined by representatives of the MK system is rather telling.

“Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant.

The theme song of the movie goes, “Somewhere over the Rainbow…there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy.

The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.”  – Fritz Springmeier, The Formula to Create an Undetectable Mind Control Slave

The same way that mind-control slaves are exposed to intense trauma to induce dissociation, the masses are exposed to trauma through terror to the point of numbness … and then are told to “go over the rainbow”. The fear of “terror” is its own black magic, and it can be used to contaminate minds, debase the soul, and, as we continue to see, to disrupt society. The waves of shock and grief it generates quickly become part of the “psychosphere” and end up defining an entire generation. They feed off of death, despair, and distress, and they seek to poison all aspects of society with it. Do not let them contaminate your mind and don’t be fooled by their “dangerous” men or women.

Source*

Related Topics:

A Child of the Devil Says Perry’s Father*

No Escape Even in Death from the Mind Control Entertainment Industry*

Jewish Mobster-Music Manager, the Mind behind Gangster-Rap, Dies at 75*

From a Conscious Musician to a MKUltra Slave

Rockefeller Music Project in the War on Consciousness*

Real Hip-Hop Versus the Music Industry*

The Mind Control Music Industry: Beyonce*

A Peak at the Mind Control Music Industry*

“Don’t Hug Me I’m Scared” is About Brainwashing by Mass Media and … MKULTRA*

London Attacks: Just a Camouflage

London Attacks: Just a Camouflage

 

 

Related Topics:

Manchester attack: Love Conquers Fear as Didsbury Mosque Overwhelmed by Support*

U.N. Criticised Britain’s Anti-terror Strategy Two Days before Manchester Bombing*

The British Gov’t Election Funding and Dirty HSBC*

U.K PM to Create New Internet that would be Controlled and Regulated by Government*

The Official 7/7 London Bombing Story is a Lie*

MOSSAD Agent – ‘We Did the London Bombing’

Lockerbie Lies to Subvert Independent Sovereign Countries *

Rothschild Demands Western Nations Invade Syria*

The Child Porn-Pentagon-NSA-CIA Link*

The Child Porn-Pentagon-NSA-CIA Link*

Even though there is evidence, the Pentagon, the NSA, and the CIA do not want to investigate and prosecute their highly-disciplined, high-profile, and high-ranking child pornographers. Here’s why..

Some of the top ranking defense personnel, intelligence analysts, and federal law enforcement officers in the United States are paedophiles who access and download child pornography on their work and home computers.

They not only compromise the nation’s security and drive the country into greater humiliation and disgrace; they put themselves at risk of blackmail, bribery, and threats by using credit cards or PayPal to pay for access to overseas pornography websites. Yet, these high-profile paedophiles are neither prosecuted by the United States Department of Defense investigators nor exposed by the mainstream media.

Child Porn in the Pentagon

In 2006, an undercover Internet child pornography investigation, called Operation Flicker, was conducted by the Immigration and Customs Enforcement (ICE), a federal investigative agency. ICE revealed a list of 5,200 Pentagon employees (with high-level security clearances) suspected of subscribing to child pornography websites, and asked the Pentagon to investigate its employees.

In 2010, The Boston Globe disclosed the link between the Pentagon and child pornography to the public, reporting how the eight-month Pentagon investigation intentionally left 1,700 of its own men off the hook.

 

According to the heavily edited Pentagon’s Defense Criminal Investigative Service documents (DCIS) obtained by The Boston Globe, the Pentagon only cross-checked 3,500 out of 5,200 paedophiles (many provided military zip codes in their addresses when purchasing child pornography online); identified only 302 defense personnel and intelligence employees as connected to the child pornography scandal; investigated only 70 cases; prosecuted a handful and dropped many perverts due to a lack of evidence.

Later, the Operative Flicker documents obtained by The Upshot revealed that the DCIS investigators had in fact identified only 264 Pentagon employees who had purchased child pornography online. John Cook, an investigative journalist who currently serves as the executive editor of Gawker Media, penned:

“Astonishingly, nine of those had “Top Secret Sensitive Compartmentalized Information” security clearances, meaning they had access to the nation’s most sensitive secrets. All told, 76 of the individuals had Secret or higher clearances. But DCIS investigated only 52 of the suspects, and just 10 were ever charged with viewing or purchasing child pornography.”

 

Even though the ICE investigators warned the child pornography purchasers put the Department of Defense, the military and national security at risk by compromising computer systems and military installations, and security clearance; even though a contractor who had top security clearance at the National Security Agency, a top-ranking official at national reconnaissance office in Virginia, which operates the U.S. military’s spy satellites; and a contractor at a weapons-testing base in California were implicated; and even though a Pentagon spokesman promised to reopen the investigation abruptly halted six years ago due to lack of resources; there are no answers to why the 1,700 suspects were never investigated.

Child Porn in the NSA & the CIA

The U.S. National Security Agency (NSA) is infamous for conducting Domestic and Global Mass Surveillance to secretly snoop on users’ online communications, which NSA chiefs claim is necessary to foil terror plots post 9/11.

Remember the top-secret NSA document dated October 3, 2012, (leaked by former CIA employee Edward Snowden, in 2013)? It sought to track ‘radicalized’ users’ sexual activity and evidence of visits to pornographic websites in order to discredit and blackmail Muslim activists.

If you’ve got nothing to hide, why worry about warrantless mass surveillance? Well, because America’s Surveillance State is creepier than you could ever imagine.

The fact is NSA and CIA employees watch a lot of child pornography at work. Intelligence analysts and terrorism experts at the NSA and the CIA are paid to watch child pornography and graphic videos 24×7. So much that they even have a special porn room where agents look for the hidden clues in porn videos “to gain clues about the actions of Islamic State and Al-Qaeda terrorists in order to track them down, rescue hostages, or stop terrorist attacks on countries.”

However, not everyone enjoying child pornography at NSA is doing so in the name of national security. In 2014, Snowden revealed documents to show the ugly face of the NSA agents who captured nude images from webcam chats of nearly 1.8 million unsuspecting Yahoo users and stored the sensitive data in government servers in 2008. Even as it shamelessly violated Yahoo users’ privacy, the NSA declined to respond.

In 2016, two senior U.S. intelligence officials admitted that an “unbelievable” amount of child pornography has been found on the NSA work computers and devices. Even though there is evidence in the past that military and intelligence personnel have sexually abused minors online for years, the NSA does not want to investigate and prosecute its highly disciplined child pornographers. Kemp Ensor, the NSA’s director of security, remarked:

“In the national security space, what people do is amazing… There are many introverts staring at computer screens day in and day out.”

Like the Pentagon’s DCIS, the Central Intelligence Agency has an Office of Inspector General (OIG) empowered to investigate CIA personnel accused of criminal wrongdoings. And like the Pentagon, the CIA ensures the details of its OIG investigations are shrouded in secrecy.

 

However, in 2015, the OIG was forced to reveal several heavily redacted documents about high-profile investigations into serious allegations of misconduct by the CIA employees including child pornography, torture and war crimes under a Freedom of Information Act request from VICE News. But, reports VICE News:

“About 80 pages of internal CIA documents pertaining to more than a dozen OIG investigations show that CIA employees escaped charges after the cases were referred to the Department of Justice (DOJ), which declined to prosecute the alleged offenses.”

It is evident that there are some extremely disturbing and depraved things taking place at the highest levels of the NSA as well as the CIA; and it is also evident that there is more to their ‘official activities’ online and offline that they don’t want discussed.

 

It is a matter of grave concern that child pornography investigations within the U.S. intelligence agencies are either dropped or kept under wraps and away from the eyes of the public due to pressure from within the system.

But who benefits from the uninvestigated and unprosecuted child pornography cases?

And who is threatened if those involved are investigated and prosecuted?

Are internal probes an eyewash?

Should independent agencies investigate child pornography allegations?

Source*

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